Monday 7 March 2011

Sean Paul



Born: January 08, 1973

Dancehall superstar Sean Paul began scoring hit singles in Jamaica starting in 1996 and thereafter steadily began attracting international attention, eventual breaking into the pop mainstream in 2002 with Dutty Rock. Born Sean Paul Henriques on January 8, 1973, the multi-ethnic Paul (his parents had Portuguese, Chinese, and Jamaican blood) grew up comfortably in St. Andrew, Jamaica, his mother a renowned painter. He was a skilled athlete, excelling in swimming and especially water polo, playing for the Jamaican national team in the latter. Although his education was enough to land a prosperous career, dancehall music remained Paul's first love, particularly crafting rhythm tracks. He became a DJ after he began writing his own songs, patterning his style largely after Super Cat and finding a mentor in Don Yute; he also found contacts in several members of the reggae-pop band Third World in 1993, which helped open up business connections.

Paul released his debut single, "Baby Girl," with producer Jeremy Harding in 1996; it proved a significant success, leading to further Jamaican hits like "Nah Get No Bly (One More Try)," "Deport Them," "Excite Me," "Infiltrate," and "Hackle Mi." In 1999, Sean Paul started to make inroads to American audiences; he was first commissioned to collaborate with fellow dancehall hitmaker Mr. Vegas on a production for rapper DMX; titled "Here Comes the Boom," the song was included in director Hype Williams' film Belly. Also that year, Paul scored a Top Ten hit on the Billboard rap charts with "Hot Gal Today." Unfortunately, Paul had a very public falling out with Mr. Vegas over the packaging of the latter's remix of "Hot Gal Today"; still, it didn't slow Paul's career momentum, as he played the Summer Jam 2000 in New York City, the center of his American popularity. That fall, Paul released his first album on VP Records; the sprawling Stage One collected many of Paul's previous hit singles and compilation cuts, plus a few brand-new tracks. 2002's Dutty Rock and 2005's The Trinity were extremely successful. Both albums peaked in the Top Ten of the album chart and featured a handful of mainstream smashes. Steve Huey, Rovi



Sean Paul
Stage One

Release Date 2000 03 21
Label Hardwax Import

This extra long CD showcases popular dancehall "riddims" overlaid with DJ Sean Paul's rather pedestrian "toasting." Since he possesses neither an unusual voice nor outstanding skill, this CD can become rather tiresome after awhile, especially after one too many skits on a 25-track album. Still, there are some enjoyable tunes here, namely the hit single, &"Infiltrate," which burned up dancehalls with its pumping beat, and &"Hot Gal Today," a duet with ultra-hot DJ Mr. Vegas, which displays an interesting blend of Sean Paul's hard voice with Vegas' smoother vocals. &"Faded," a take on Shania Twain's &"Looks Like We Made It," also illustrates clever treatment. Rosalind Cummings-Yeates, Rovi


Tracks:
TitleComposerTime
1Mental PreludeParkes, Taylor:47
2She Want ItHarding, Henriques2:56
3InfiltrateHarding, Henriques3:29
4Nicky (Skit)Smith, Henriques1:24
5Haffiget de Gal Ya (Hot Gal Today)Browne, Johnson, Smith, Henriques3:15
6Real ManHenriques, Harding3:06
7Duty Techniques (Skit):29
8Check It DeeplyHenriques3:35
9Mek It Go So DenJames, Henriques3:25
10Examples of Things Not to Do in Bed (Skit)1:03
11Deport ThemKelly, Henriques3:08
12Tiger BoneBrowne, Smith, Henriques2:52
13FadedTwain, James, Henriques, Gray3:02
14DefiniteHarding, Henriques3:10
15Shineface (Skit):33
16DisrepectKelly, Henriques3:15
17Sound the AlarmHenriques, Henriques3:27
18Uptowners (Skit)1:03
19No BlighKelly, Henriques3:43
20Slap TrapBrowne, Johnson, Henriques3:17
21StrategyHarding3:23
22Word from the Hon. Minister (Skit):19
23Next GenerationMalcolm, Myrie, Henriques3:43
24You Must LoseDaley, Henriques3:25
25OutroParkes3:19



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Sean Paul
Dutty Rock

Sean Paul
Dutty Rock
Release Date 2002 09 24
Label Atlantic

Sean Paul's Dutty Rock is an infectious record, bursting with hooks and filled with energy; it is a surprise U.S. hit. Paul's mix of dancehall and modern R&B and hip-hop is lightweight and easy to dance to. It slows down near the end as some filler creeps in, but at its best, Dutty Rock is almost revolutionary. Paul utilizes big-name producers like Sly & Robbie, Steely & Clevie, Jeremy Harding, and the ubiquitous Neptunes, whose sexy &"Bubble" is one of the highlights of the record. The best track, the stuttering, can't-get-it-out-of-your-head catchy &"Get Busy," is produced by Steven "Lenky" Marsden and features his staggeringly popular diwali rhythm and a great vocal by Paul. Other tracks, like the hit single &"Gimme the Light," and the &"Louie Louie"-influenced &"Like Glue," are almost as good. Paul has a good ear for melody and his flat, distinctive voice is perfect for his sing-jay style (sing-jay being a blend of DJ and singing). Paul also ropes in Busta Rhymes for an amped-up remix of &"Gimme the Light," and Rahzel of the Roots to provide rapping and silly noises on &"Top of the Game." This is such a good record that even the skits are pretty good. &"Police Skit" may even provide a few chuckles. Sean Paul's blend of dancehall and hip-hop brings out the best of each genre, and Dutty Rock should be booming out of your Jeep if you are a fan of either. [Dutty Rock was reissued in September of 2003 with the addition of &"Baby Boy," an excellent track from Beyoncé's Dangerously in Love record that features Sean Paul, and the subtraction of the humorous but inessential skits, and one of the original album's weakest tracks, &"It's On." This reshuffling makes an already strong album even stronger.] Tim Sendra, Rovi


Tracks:
TitleComposerTime
1Dutty Rock Intro2:24
2Shout (Street Respect)Dunbar, Henriques3:44
3Gimme the LightRami, Henriques3:46
4Like GlueKelly, Henriques3:54
5Get BusyMarsden, Henriques3:31
6Baby BoyStorch, Waller, Carter, Knowles, Henriques4:05
7Top of the GameBrown, Harding, Henriques4:04
8Ganja BreedFoster, Samuels, Walker, Henriques3:15
9ConcreteMalcolm, Myrie, Henriques3:55
10I'm Still in Love with YouEllis, Browne, Johnson, Henriques4:33
11International AffairHenriques, Ronson, Nova3:49
12Can You Do the WorkCharlton, Harding, Henriques3:24
13PunkieMartin, Henriques3:34
14My NameJames, Dennis, Gray, Henriques3:40
15Junkin' PunnyMaraugh, Tyrell, Henriques2:02
16Gimme the Light [Pass the Dro-Voisier Remix]Smith, Rami, Henriques3:20
17BubbleHarold, Williams, Hugo, Henriques3:47
18Shake That ThingRami, Henriques3:54
19Esa LocaPerez, Hernandez, Harding, Henriques3:48
20Punkie (Espanol)Roberts, Martin, Henriques3:35


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Sean Paul
Trinity



Sean Paul
Trinity
Release Date 2005 09 27
Label Atlantic/WEA

Anticipation for Sean Paul's follow-up to Dutty Rock was running high, but fans expecting a reprise of the light, fun dancehall pop will be in for a surprise here. The Trinity has a much harder-edged sound than its predecessor, produced with the club in mind. Tunes like "Head in the Zone" and "Send It On" are characterized by driving dancehall rhythms, hypnotic rapid-fire vocal cadences, and urban R&B touches that give the tracks a glamorous sheen, with Sean Paul laying down lyrics about sex, partying, and good times that suit the music perfectly for the contemporary club scene. The old-school reggae-flavored "Yardie Bone," featuring a slick bounce that recalls Steel Pulse, helps add balance to this edgy collection of slightly less than mainstream dancehall. Anthony Tognazzini, Rovi


Tracks:
TitleComposerTime
1Fire Links IntroParks:49
2Head in the ZoneHenriques, Jarrett, Marsh, Thomas, Cunningham3:55
3We Be Burnin'Henriques, Jarrett, Marsden, Marsh, Thomas, Cunningham3:35
4Send It OnHenriques, Henriques, Marsden, Cole3:38
5Ever Blazin'Henriques, Henriques, Marsden, Stevens3:10
6Eye Deh a Mi KneeBennett, Henriques, Staff2:58
7Give It Up to MeBennett, Henriques, Henriques, Staff4:02
8Yardie BoneBennett, Harold, Henriques, Mitchell, Staff3:12
9Never Gonna Be the SameBennett, Henriques, Staff3:40
10I'll Take You ThereHenriques, Parks3:56
11TemperatureHenriques, Marshall, Fuller3:36
12BreakoutHenriques, Henriques, Samuel, Stines, Lewis2:59
13Head to ToeBennett, Edmond, Gray, Henriques4:21
14ConnectionAlbino, Bermingham, Cooke, Henriques, Wells, Parks3:31
15Straight UpChin-Quee, Henriques3:06
16All on MeChin, Henriques, Henriques4:18
17Change the GameDaley, Henriques, Henriques, Rodney3:54
18TrinityEdmund, Henriques, Jarrett3:35


Download:
http://www.megaupload.com/?d=UDC6NPAK

Sean Paul
Imperial Blaze


Sean Paul
Imperial Blaze
Release Date 2009 08 18
Label VP/Atlantic

More aligned with the pop-tinged sounds of Dutty Rock than the swaggering, beat-heavy Trinity, Sean Paul's fourth album is a fun mix of dancehall, hip-hop, and contemporary pop. There is still plenty of swagger here, but there's less drive to be hard and more focus on having a good time. Cycling through good-natured dancehall-meets-hip-hop jams like "Lace It" and "She Wanna Be Down," lilting and romantic tracks like "Now That I've Got Your Love" and "Daddy's Home," and a batch of songs that sound like perfect floor-fillers at a late-summer dance party ("Press It Up," "Don't Tease Me," "Evening Ride"), there is precious little posturing or false bravado on Imperial Blaze, making it one of Sean Paul's best to date. Tim Sendra, Rovi


Tracks:

TitleComposerTime
1Intro: Chi Ching ChingMister Harding:50
2Lace ItHenriques, McGregor2:51
3So FineHenriques, McGregor, Staff3:30
4Now That I've Got Your LoveHenriques, McGregor3:33
5Birthday SuitHenriques, McGregor3:25
6Press It UpHenriques, McGregor3:43
7Evening RideHarding, Henriques, McGregor3:56
8Hold My HandCooper, Henriques, Morrison3:26
9She Want MeHarding, Henriques, McGregor3:05
10Daddy's HomeHenriques, McGregor3:30
11Bruk OutHenriques, Parks3:24
12PepperpotAnderson, Henriques, Henriques, McIntyre3:50
13Wine Baby WineHarding, Henriques3:04
14Running Out of TimeBennett, Henriques, Henriques3:21
15Don't Tease MeHenriques, McGregor3:19
16LatelyHenriques, McGregor3:06
17She Wanna Be DownHenriques, McGregor3:37
18Straight from My HeartChin, Chin-Quee, Cunningham, Henriques, Thomas, Thompson4:26
19Private PartyBennett, Henriques, Henriques3:34
20I Know U Like ItHenriques, Henriques3:09
21[CD-ROM Track]



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Akcent

 


Artist: Akcent
Title: True Believers
Label: bmg
Genre: Pop, Dance
Store Date: 22.11.2009
Source: CDDA
# Tracks: 49
# CDs: 1
Lenght: 00.49.30
Encoder: Lame 3.98
Quality: 256 kbps / VBR
Channels: Joint Stereo / 44 khz
Tags: ID3 v1.0, ID3 v2.3
Nonstop mix: no
*.cue: no
Archive size: 71 mb
Recovery record: yes
Tracklist:
Akcent - Stay With Me
Akcent - That's My Name
Akcent - Happy People
Akcent - Lovers Cry
Akcent - Tears feat. Roller Sis
Akcent - I Turn Around The World
Akcent - Runaway
Akcent - Umbrela Ta
Akcent - Next To Me
Akcent - True Believer
Akcent - Delight
Akcent - O Noapte Si O Zi
Akcent - Lacrimi feat. Roller Sis

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Evanescence










Having sold nearly 20 million records worldwide, more than 6 million in the U.S. alone, and earning two Grammys® with their major-label debut Fallen, Evanescence continue their meteoric rise with their latest effort, The Open Door (Wind-up Records). The Open Door debuted at the top of theBillboard charts selling more than 447,000 units in its first week and reached platinum status in just over a month. The album is defined by Amy Lee’s beautiful melodies, compelling lyrics, poignant piano and stunning vocals, fused with Terry Balsamo’s urgent yet intricate guitar to form a seamless, ethereal mixture that perfectly channels the band’s hard rock and classical sensibilities.
“Making this record was really intense,” explains Lee.  “Terry suffered a stroke in October after recording his guitar parts and thankfully continues to recover, we got a new manager [Andy Lurie at 110 Management in Los Angeles], and I’d come out of a difficult breakup.  But everything we’ve been through together has benefited this album.”  With Fallen, says Lee, the band had much to prove while defining its identity.  This time, finding a cohesive writing partner in Terry Balsamo, “we really took our time crafting this album and had the freedom to express a broader range of emotions: not just pain and sadness, but also anger and, yes, even happiness.”
Written late in 2005, The Open Door was recorded at The Record Plant in Los Angeles and mixed at Ocean Way Studios in March 2006.  Marking the return of producer Dave Fortman, the album’s musical elements include a classically-infused choir and strings on several tracks, giving further color to songs of introspection, longing, doubt, self-respect and, ultimately, empowerment.  The album opens with “Sweet Sacrifice,” a post-relationship catharsis that head-dives from an otherworldly intro into a hard-driving thrash of hard rock guitars and soaring rock vocals.  Its first single, the mid-tempo “Call Me When You’re Sober,” reinforces the moving-away-from-dysfunction theme.
Other standout tracks on The Open Door include the second single, “Lithium,” which embraces feeling over numbness, “All That I’m Living For,” Lee’s tribute to band life, “Weight of the World,” her plea for perspective from the expectation of young fans, and “Good Enough,” a string-and-choir-infused closer distinguished as the band’s first truly (almost) contented song (“It feels really good ending the album this way,” says Lee).
Its tour began immediately after the debut of The Open Door, rewarding hardcore fans with a “sneak peak” at the album with handful of more intimate theater dates in the US and Europe before segueing into much larger arena shows at the end of 2006.  Since the album’s release, the band has performed in front of well in excess of one million fans in more than 25 countries, including the US, Canada, France, UK, Spain, Germany, Greece, Turkey, Russia, Israel, Argentina, Chile, Brazil, South Africa, Japan, Australia and New Zealand.
As The Open Door nears sales of 2 million copies in the U.S. and more than 4 million copies worldwide, Evanescence will headline a North American tour, including 3 arena shows in Mexico, this Fall.  The tour will begin October 23rd in Miami and conclude on or about December 10th.   With the recent additions of Dark New Day’s (Warner Bros. Records) Will Hunt on drums and Troy McLawhorn on guitar, Evanescence is poised to finish up 2007 with a bang.  Evanescence has chosen Australian modern rock trio Sick Puppies and electronic rock act Julien-K to support them on the tour.
Evanescence is Amy Lee (vocals, piano), Terry Balsamo (guitar), Tim McCord (bass), Troy McLawhorn (guitar) and Will Hunt (drums).  Fallen, their major-label debut, was released in April 2003 to critical and commercial success and has sold more than fifteen million copies.  Their second major label debut, The Open Door, debuted at Number One on the Billboardcharts and reached platinum status in just over a month.
Originally hailing from Little Rock, Arkansas, the band’s evolving sound – a nearly mystical marriage between rock, goth and classical – was informed by a curious duality.  Lee, who spent nine years studying classical piano, explains, “When I was in high school I listened to a lot of death metal bands.  Both genres are intricate, complex types of music that are very dramatic, and I’m naturally drawn to that.”
Evanescence self-released two EPs and a first full-length album, the much-sought-after Origin, before finding a home at Wind-up Records.  Fallen, their major-label debut, was released in April 2003 to critical and commercial success.  The internationally appealing Top 10 singles “Bring Me to Life” and “My Immortal” helped drive airplay and led to two 2003 Grammy Awards (Best New Artist and Best Hard Rock Performance for “Bring Me To Life”).  Propelling the band to sales of nearly 14 million albums worldwide, Fallenspent more than 100 weeks on Billboard’s Top 200 chart, was certified gold or platinum in over 35 countries, and sold out arenas globally.  Anywhere But Home, their 2004 live DVD release, has sold over one million copies to date.
The inherent drama in Evanescence’s music – a kind of audio odyssey that can turn on a dime from piano-led introspection to hammering guitar – has resonated with listeners everywhere.  The band’s aggressive core finds a counterpart in Lee’s passionate vocals, lyrics that forge a connection with audiences searching for identity or struggling with feelings of desire, hope love and loss.  The Open Door is a logical (but certainly not predictable) transformation of epic proportions for the band, which, in many ways has only just begun to make its mark on the music world.



Sound Asleep - 1999



01. Give Unto Me
02. Whisper (Demo)
03. Understanding (Sound Asleep EP Version)
04. Forgive Me
05. Understanding (Evanescence EP Version)
06. Ascension of the Spirit
Download:
http://www.filesonic.com/file/r000216945/11430439/1999_-_Sound_Asleep.rar




******************


Origin - 2000



01. Origin
02. Whisper
03. Imaginary
04. My Immortal
05. Where Will You Go
06. Field Of Innocence
07. Even In Death
08. Anywhere
09. Lies
10. Away From Me
11. Eternal


http://letitbit.net/download/1525508/7172.74501ee6b9e000fc05d9fe94b/Evanescence_2000_Origin.rar.html




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Fallen - 2003




Evanescence
Fallen
Release Date 2003 03 04
Label Epic

Fallen is the major-label debut of Evanescence, a Little Rock, AR-based quartet led by the soaring vocals of 20-year-old Amy Lee. Emboldened by the inclusion of its single &"Bring Me to Life" on the soundtrack to the hit film Daredevil, Fallen debuted at an impressive number seven on Billboard's Top 40. But &"Bring Me to Life" is a bit misleading. A flawless slice of Linkin Park-style anguish pop, it's actually a duet between Lee and 12 Stones' Paul McCoy. In fact, almost half of Fallen's 11 songs are piano-driven ballads that suggest Tori Amos if she wore too much mascara and recorded for the Projekt label. The other half of the album does include flashes of the single's PG-rated nu-metal (&"Everybody's Fool," &"Going Under"). But it's the symphonic goth rock of groups like Type O Negative that influences most of Fallen. Ethereal synths float above Ben Moody's crunching guitar in &"Haunted," while &"Whisper" even features apocalyptic strings and a scary chorus of Latin voices right out of &Carmina Burana. &"Tourniquet" is an anguished, urgent rocker driven by chugging guitars and spiraling synths, with brooding lyrics that reference Evanescence's Christian values: "Am I too lost to be saved?/Am I too lost?/My God! My tourniquet/Return to me salvation." The song is Fallen's emotional center point and defines the band's sound. 

Tracks:

TitleComposerTime
1Going UnderLee, Hodges, Moody3:34
2Bring Me to LifeLee, Hodges, Moody3:57
3Everybody's FoolLee, Hodges, Moody3:15
4My ImmortalLee, Hodges, Moody4:24
5HauntedLee, Hodges, Moody3:06
6TourniquetLee, Hodges, Moody, Gray4:38
7ImaginaryLee, Hodges, Moody4:17
8Taking Over MeLee, Hodges, Moody, LeCompt3:49
9HelloLee, Hodges, Moody3:40
10My Last BreathLee, Hodges, Moody4:07
11WhisperLee, Hodges, Moody5:27

Download:
http://www.filesonic.com/file/r000216945/167125821/Evanescence_-_Fallen.rar


*******************




Not For Your Ears - 2003



01. Anything For You
02. Before The Dawn
03. Breathe No More
04. Bring Me To Life (Original)
05. Even In Death
06. Everybody's Fool
07. Forgive Me
08. Further Away
09. Haunted
10. Hello
11. Imaginary
12. Missing
13. My Tourniquet
14. Surrender
15. Taking Over Me (Long)
16. Taking Over Me
17. Untitled (I Must Be Dreaming)
18. Whisper 2002
19. You
Download:
http://www.4shared.com/file/UGsBRv4v/Evanescence_-_Not_For_Your_Ear.htm?aff=7637829


********************


Anywhere But Home - 2004




Evanescence
Anywhere But Home
Release Date 2004 11 23
Label Epic

Anywhere but Home is a live chronicle of where Evanescence have been since the spring 2003 release and subsequent sextuple-platinum reign of their debut album, Fallen. Recorded at a tour stop in Paris, the set includes all their hits, as well as a previously unreleased studio track (&"Missing"). While it's a fine holdover until the recording of a proper studio follow-up, Home also reasserts Amy Lee's position at Evanescence's center. Throughout the band's rise, there was the drama -- co-founder Ben Moody's contentious departure, the are-they-or-aren't-they Christian rock debates -- but there was always the singular force of Lee, whose powerful vocals, strident public persona, and striking fashion sense broke down the doors of the alternative metal boys club. Appropriately, Lee is the star of Anywhere but Home. Her voice has an impressively raw quality live, and her banter with the fawning Parisian crowd is always engaging. The mix also favors her (as well as the prominent use of keys/synthesizers), which unfortunately lessens the effect of John LeCompt and Terry Balsamo's guitars and Rocky Gray's impressive drumming. Still, &"Going Under" surges nicely into its anthemic chorus, and when the guitars do show up (like on &"Everybody's Fool"), Lee matches their power easily. She takes a softer approach for the arch piano ballad &"My Immortal," which becomes a singalong moment for 5,000 souls, and that song leads nicely into an extended vocal intro for the breakthrough hit (and Home standout) &"Bring Me to Life." (Evanescence's cover of Korn's &"Thoughtless" will be another fan highlight.) The album closes, as does Fallen, with the swirling, vaguely Eastern-tinged metal melodies of &"Whisper," and Lee's throaty vocal endures even as the synths and processed choir effects threaten to engulf her. 

Tracks:

TitleComposerTime
1HauntedLee, Hodges, Moody4:04
2Going UnderLee, Hodges, Moody3:57
3Taking Over MeLee, Hodges, Moody, LeCompt3:57
4Everybody's FoolLee, Hodges, Moody3:40
5ThoughtlessArvisu, Davis, Shaffer, Silveria, Welch4:37
6My Last BreathLee, Hodges, Moody3:53
7Farther AwayLee, Hodges, Moody5:02
8MissingLee, Hodges, Moody3:33
9Breathe No MoreLee4:38
10My ImmortalLee, Hodges, Moody4:43
11Bring Me to LifeLee, Hodges, Moody4:17
12TourniquetLee, Hodges, Moody, Gray5:25
13ImaginaryLee, Hodges, Moody5:45
14WhisperLee, Hodges, Moody4:16

Download:
http://hotfile.com/dl/105738490/eba9757/Evanescence_-_Anywhere_But_Home.rar.html




************************


The Open Door - 2006




Evanescence
Open Door
Release Date 2006 10 03
Label Wind-Up

It seems like a minor miracle that Evanescence released their second album at all, given the behind-the-scenes toil and trouble that surrounded the aftermath of their 2003 debut, Fallen, turning into an unexpected blockbuster. Actually, so much drama followed Evanescence that it's hardly the same band anymore. Certainly, pivotal songwriter/guitarist Ben Moody is no longer with the band, leaving not long after Fallen had become an international success, and sometime after that, they lost their bassist -- leaving behind Amy Lee as the indisputable leader of the band. She always was the face, voice, and spirit of the band anyway -- dominating so that it often seemed that she was named Evanescence and not fronting a band called that -- but by the time the group finally released their long-awaited second album, The Open Door, in October 2006, there was no question that it was her band, and she has learned well from the success of Fallen. Pushed to the background are the Tori-isms that constituted a good chunk of the debut -- they're saved for the brooding affirmation of a closer, &"Good Enough," and the churning &"Lithium," which most certainly is not a cover of Nirvana's classic (that song never mentioned its title, this repeats it incessantly) -- and in their place is the epic gothic rock (not quite the same thing as goth rock, mind you) that made Lee rock's leading witchy woman of the new millennium. And she doesn't hesitate to dig into the turmoil surrounding the band, since this truly is all about her -- she may artfully avoid the ugliness surrounding the lawsuit against her manager, whom she's alleged of sexual harassment, but she takes a few swipes against Moody, while hitting her semi-famous ex, Shaun Morgan of Seether, directly with &"Call Me When You're Sober," as blunt a dismissal as they come. To hear her tell it, she not only doesn't need anybody, she's better on her own. Yet artists aren't always the best judge of their own work, and Lee could use somebody to help sculpt her sound into songs, the way she did when Moody was around. Not that she's flailing about necessarily -- &"Call Me When You're Sober" not only has structure, it has hooks and momentum -- but far too often, The Open Door is a muddle of affections. Sonically, however, it captures the Evanescence mythos better and more consistently than the first album -- after all, Lee now has no apologies of being the thinking man's nu-metal chick, now that she's a star. 

Tracks:

TitleComposerTime
1Sweet SacrificeLee, Balsamo3:05
2Call Me When You're SoberLee, Balsamo3:34
3Weight of the WorldLee, Balsamo3:37
4LithiumLee3:44
5Cloud NineLee, Balsamo4:22
6Snow White QueenLee, Balsamo4:22
7LacrymosaLee, Balsamo3:37
8Like YouLee4:16
9Lose ControlLee, Balsamo4:50
10Only OneLee, Balsamo4:40
11Your StarLee, Balsamo4:43
12All That I'm Living ForLee, LeCompt3:48
13Good EnoughLee5:31
Download:
http://www.filesonic.com/file/r000216945/55348331/Evanescence
 
 
 
 
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